Every year since 2012, the resident choir of the Pentecost International Worship Centre (PIWC) Odorkor in Accra, The New Song (TNS), takes patrons of their KARA musical live performance to the throne of grace and Sunday, November 20, 2022, was no totally different when this year’s version of the live performance got here off at the National Theatre.
This year’s Kara musical live performance, which marked 10 years of the gospel musical live performance, was themed: “Great Grace,” and it introduced collectively some prominent figures of the Church of Pentecost, Ghana and business personalities to have fun God for His goodness.
Even before the beginning of the occasion at 5:00 p.m., the auditorium of the National Theatre had been crammed to capability.
It definitely was an evening to behold and an exquisite time for patrons who danced the night away amidst cheers to music performances from Elder Dr. Kwesi Mireku, Piesie Esther, Akesse Brempong, and Pastor Emmanuel Kyei Boate who took turns to thrill the patrons.
There have been additionally performances on the night time by PIWC Asokwa Choir, Ruth Adjei, Braa Kwaku, Shadrach Mensah and Kweku Teye.
First, it was PIWC Sakumono Choir who set the tone for the night with their soul inspiring gospel songs, adopted by PIC Asokwa Choir. The charged ambiance was then sustained by Shadrack Mensah, Akosua Carl, Braa Kwaku, and Ruth Adjei, Akesse Brimpong.
Kobby Mantey, Esther Addo, Kweku Teye, and Pastor Kyei Boate performed their half in holding the ‘firing burning.’ They handled patrons to some superb gospel songs.
However, the auditorium was electrifying when Gospel Diva, Piesieh Esther, mounted the stage. She actually carried out to the admiration of the patrons many of who couldn’t help however to dance alongside. Her stagecraft was additionally top notch, and certainly despatched patrons right into a frenzy until the tip of her act.
Finally the supreme in gospel music, Elder, Dr. Kwesi Mireku, stole the present, as he took the members by means of some of her soul-touching and highly effective worship songs.
Later, the over a whole bunch of patrons who had thronged the National Theatre couldn’t resist however to be a part of Elder Mireku on stage and dance with him when he switched from his worship songs to his extra danceable songs.
Kara began in 2012 as Altar of Worship, however two years later (2016) was rebranded.
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